On the eighth of May 1972, four hijackers from the Palestinian organization ”Black September” took control of Belgian Sabena Flight 571 from Brussels to Tel Aviv. The hijacking marked the beginning of thirty nerve-wracking hours, bounding together fascinating human, military, and political drama inside and outside of the plane.
SHALOM BOLLYWOOD reveals the unlikely story of the 2000-year-old Indian Jewish community and its formative place in shaping the world’s largest film industry. When Indian cinema began 100 years ago, it was taboo for Hindu and Islamic women to perform on screen, so Indian Jewish women, who were more liberal and progressive, took on female lead roles, which they then dominated for decades. Because these stars used stage names, audiences assumed they were Muslims or Christians—until now! From the silent era through Bollywood’s golden age, Indian cinema icons share their highs and lows and how their careers pushed the boundaries of Indian-Jewish culture. Interviews plus rare archival footage and retro-style music and animation revive the all-singing, all-dancing cheeky feel of a Bollywood production.
The US is experiencing a surge in hate crimes. Stranger/Sister is the story of two ordinary women, one Muslim and one Jewish, who dare to believe they can join hands to stop the wave of hate. Overcoming a long history of distrust between their two religions, they build a movement that turns strangers into sisters. Following women from Sisterhood chapters in Austin, Chicago, and across the nation, the Sisters build a powerful network of hope in a time of chaos and hate.
In this heartwarming, sweetly funny romance-dramedy, a thirty-something Israeli couple develops baby fever, putting their relationship to the test in a frenzy to get pregnant. Liran and Tali are happily married, but their lives are missing one thing: a baby. With the biological clock ticking, they embark on protracted fertility treatments, a physical and emotional roller-coaster of medical procedures, and regimented lovemaking. Facing pressure from family, friends, and each other, it’s soon clear that the road to parenthood is no walk in the park. Tackling a sensitive topic with earnest performances, this frank portrayal of modern pregnancy landed four Ophir (Israeli Academy Award) nominations, including Best Director. MATURE LANGUAGE, NUDITY, SEXUAL CONTENT
Filmmaker Jonathan Ofek grew up in Jerusalem and in an Indian Ashram— a fact that he had to keep secret. He was taught to dedicate his life to his Guru, to reach his goal in life, awaken from the ”illusion,” realize the ”truth,” and become enlightened. Twenty years (and a lot of therapy) later, Jonathan sets out on a journey of discovery to understand the effect these secrets had on him and to find out what happened to the other Ashram children. Was he raised in a cult? MATURE LANGUAGE
“Director Raul Graizer subtly illustrates the idea that our social, religious, and sexual identities are more fluid than fixed.” The emotionally distant Thomas leads a lonely life as a Berlin coffee shop pastry chef until starting a closet affair and passionate tryst with Oren, a married Israeli businessman. Bereft over the sudden death of his long-distance lover, Thomas travels to Jerusalem, seeking solace in the city where he can feel closer to Oren. Anat, Oren’s widow, runs a small café. Thomas finds work there with the unsuspecting widow and quickly turns the struggling café into a successful business, after his talents as a pastry chef are put to use. As business flourishes and Anat finds herself drawn to Thomas, the bereaved pair forges a bond that blurs lines of nationality, religion, and sexuality. Winner of the Lia Van Leer Award for Jewish heritage at the Jerusalem Film Festival and Ecumenical Jury prize at the Karlovy Vary International Film Festival. MATURE THEMES, MATURE LANGUAGE, NUDITY
APFF@AJFF: In the autumn of 1943, a young Jew named Emanuel Blatt, a refugee from a nearby ghetto, appears at a Polish monastery asking for help. Nazis are punishing Poles with death for hiding Jews. An SS squadron-leader in charge of a death squad comes to the monastery. The Day of Wrath is a full-of-tension blend of war thriller and morality play. Written by Polish writer of Jewish origin, Roman Brandstatter, the Holocaust and hope for survival are the main themes of this movie. MATURE LANGUAGE
Three children from the West Bank are smuggled into Israel, arriving at the doorstep of George and Rita’s house in Jaffa. Their mother is dead, and their father has been sentenced to life imprisonment. As Israeli Palestinians, George is afraid that hiding illegal aliens will endanger Rita and himself, while Rita believes the arrival of these children could give meaning to her life. Nearby, a foreign film is being shot. Jerry, an English director, is making a movie about his parents’ love affair in 1947, when they served in the British army in Palestine. George is invited to play a part in the film. When the two stories intertwine, tensions erupt. MATURE LANGUAGE, DRUG USE
A screen adaptation of Jerzy Ficowski’s poem under the same title from the volume ”Reading of Ashes” that is devoted to the subject of the Holocaust and World War II. The poetry volume was published on the occasion of the fiftieth anniversary of the Warsaw Ghetto Uprising.
Nazi major Karl Plagge arrived in Vilnius, Lithuania, as part of the occupation force during WWII. With the SS hellbent on murdering every Jewish man, woman and child, Plagge decided to save Jews rather than murder them. On the surface, he was commandant of the HKP forced labor camp; in reality, he was sheltering hundreds of Jewish families. By the end, many were saved, but many more were executed by the SS and buried in a mass grave. With the government about to tear down the former HKP site, a group of scientists arrives to locate the hiding places of those who were saved and identify the mass grave of the murdered. The film tracks the stories of a child survivor of the camp, an American physician whose mother was saved by Plagge, and Plagge himself. MATURE LANGUAGE